After being spotted outside of Place de la Bourse in Paris, Bloc Party lead singer Kele Okereke was asked to perform a song by the guys who run La Blogotheque. After 25 minutes of gentle coaxing, the notoriously shy Okereke finally agreed to perform “This Modern Love,” one of the hit songs from Bloc Party’s 2005 debut album Silent Alarm. What followed next was 5 minutes of one of the coolest, most sincere renditions of a Bloc Party song that I’ve ever heard. From La Blogotheque:

“We cut, during the editing, because it took us 25 minutes to talk them into doing it. Just enought time to stop him from running away, go get Russel, decide what song they were going to play. When Kele eventually started singing, Colin was pressed against him, and it felt like he was jumping from a diving-board too high for him… He caught us off-guard. Everyone was speechless. There’s nothing more to add. Five minutes of rare sincerity, two artists doing something with no safety net and without really understanding why. They took that risk, and that’s what we thank them for.”

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Dick Flink and Nick Fenmore - or the Super Mash Bros - describe their group as “Girl Talk’s Hot Cousin.” Despite the abundance of family terminology, they manage to put together some extremely danceable stuff, with samples ranging from MGMT to Death Cab for Cutie to Nelly. With a few of these samples, it’s tempting to write off the group as a Girl Talk knockoff, but once you begin going through the album, listening to tracks like “Meet Me at Fantasy Island” (which samples Blink 182), or “Stop that Booty” (sampling Modest Mouse and Bubba Sparxx) you begin to understand that the Super Mash Bros sample sources much more diverse than Girl Talk. Spanning the spectrum from indie rock to Top 40 to european electronica,_ Fuck Bitches, Get Euros _should be the next mixtape you download.

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British rock magazine NME released a bunch of exclusive one-on-one band videos earlier this week. An acoustic version of “Lethal Enforcer” by We Are Scientists is one of these must-see videos. Keith and Chris from the band shot this inside of NME’s own studio in London. It starts off with Keith conducting a pretty funny mock interview in which Chris can’t pronounce words properly. Then, after about 1½ minutes into the video, they start jamming. This acoustic version is really starting to grow on me; I now like it better than the original.

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So I stumbled across this interesting video/song a few days ago. DJ Earworm, a San Francisco-based mash-up artist, created a 4½ minute song from the top 25 hits of 2008, according to Billboard magazine. I was a little hesitant to post it, since most of the music that is included in this mash-up reminds me of how mediocre/boring the year 2008 was for pop music. Nevertheless, DJ Earworm manages to create a decent, catchy mash-up track, and an even better music video to go along with it. The tracklist for this mashup is as follows:

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