British rock magazine NME released a bunch of exclusive one-on-one band videos earlier this week. An acoustic version of “Lethal Enforcer” by We Are Scientists is one of these must-see videos. Keith and Chris from the band shot this inside of NME’s own studio in London. It starts off with Keith conducting a pretty funny mock interview in which Chris can’t pronounce words properly. Then, after about 1½ minutes into the video, they start jamming. This acoustic version is really starting to grow on me; I now like it better than the original.

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[caption id=”attachment_875” align=”alignnone” width=”570” caption=”Diplo Peforms at the Middle East in Cambridge”][/caption]

Sweaty, drunken teen girls bumping and grinding with a giant slice of cheese pizza on a stage is usually something that only occurs in the most bizarre of fantasies. But, on Friday October 17th, Diplo and the Mad Decent crew (shoutout to Pizzaboy) made this a glorious reality.

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Two weeks ago, we here at Jetcomx published a short article entitled 14 Amazing Works of Political Graffiti and Street Art from Around the World. It quickly became the most viewed article on our site. Due to the popularity of the first article, it was only natural that we once again showcase a few more hand-picked examples of the most fascinating political street art and graffiti from around the world. Without further ado, we present to you, part deux:

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When you think of graffiti and street art, politics is probably one of the last things that comes to mind. There seems to be a complete disconnect between the two realms. Knowing this, we here at Jetcomx decided to scour the corners of the internet and come up with the 10 most astounding examples of modern political graffiti. Here’s what we came up with:

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For the past 6 months, a rogue street artist nicknamed “The Decapitator” has been assaulting the streets of London with his unique brand of tag - mutating popular advertisements into headless corpses. There’s only one word to describe this - awesome. At the present moment, his identity is unknown, but he is definitely making a statement. Some may argue that the concept of shock value overlaying crass, in-your-face capitalism is nothing new. But, one thing that everyone can agree on is that this artist’s execution is truly original and spectacular. I tend to interpret these actions as one man’s response to the ever increasing shift that society is taking toward embracing materialism.

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