This Monday we’ve got a mixtape from The Hood Internet, one of the best in the mash-up genre. We’ve featured them on here a bunch of times in the past. Earlier this year, they did an hour long mix for one of Dialogue Inc.’s podcasts in which they introduced their new material. Take a listen to this clip and then download the entire album. Enjoy!
[audio:hood_dialogue_inc_mix_short.mp3]
Brooklyn-based indie rock foursome Grizzly Bear just released their latest music video for their song “While You Wait for the Others.” The video was directed by Sean Pecknold, perhaps best known for creating Fleet Foxes’ “White Winter Hymnal” music video. Fun fact: his brother is the bushy-bearded Robin Pecknold, frontman of Fleet Foxes.
Sean Pecknold’s filming style is definitely one of the more distinct ones out there, since he makes heavy use of stop motion and overall weirdness (Is that even a valid technique?). I mean, in this video alone there is a masked fencer interacting with alarm clocks, parakeets, bunnies, elephants, kickballs, fake dogs, and creepy-looking naked dolls. Let’s not even get into the clay-mation, nightmare-inducing video for “White Winter Hymnal.”
Anyway, watch Grizzly Bear’s music video and let us know what you think.
17 Hours have never passed so quickly. Maybe it was the stop at Sonic that kept us going (us New Englanders think of it as some Holy Grail of fast food), but most likely it was the excitement of Bonnaroo finally becoming a reality. Honestly, I feel like my visit in Manchester, TN was a fantasy I dreamt up for my own fun. But it happened, and I have the lime green wristband, 3D ticket, and tie-dye t-shirt to prove it.
Even when you talk with people who went, Bonnaroo is hard to describe. If there’s a God, I hope heaven is a big ol’ Bonnaroo in the sky (sure as hell I’d go to church more often). Some friends from Boston College plus some and I all arrived around 5 am on Thursday, pitching our tent and canopy by the light of the sunrise. We napped, and then the adventure officially started.
Here’s the layout of Bonnaroo, 700 acres of former farming lands: Centeroo is an area where all the stages are located and carnival-like vendors. That majestic red archway you see in your friends’ Facebook albums? That’s the entrance to Centeroo. They sell anything from traditional pizza to deep fried gator, and as far as souvenirs go, buy a cool band posters or a didgeridoo. When and if you go, make sure to stop at the Wonder Waffle stand to get the hot waffle sandwich: a cube of vanilla ice cream between two thick waffles smothered in chocolate syrup. Surrounding Centeroo are all the campsites grouped by movie titles and divided by that movie’s characters. Ours was Pussy Galore in the James Bond area… we all got a kick out of that. Port-a-potties are located throughout, and you get used to peeing in the dark after the first two nights. Showering is a no-no. I mean you can for a little less then 10 bucks, but if you’re going to Bonnaroo you might as well do it up right.
It might be the intro’s pulsing and the sing-stuttering or maybe it’s the rock pop and glazed vocals. I don’t know for sure, but whatever the reason, Phoenix’s single ‘1901’ got me through finals week despite late nights, all nighters, and pure misery.
Emergency song kit coming your way:
[audio:http://jetcomx.com/wp-content/uploads/2009/06/02-19011.mp3]
It was the first single released from Wolfgang Amadeus Phoenix, Phoenix’s long-awaited May release. Well, probably more long-awaited for perennial Phoenix fans hailing from France and other European countries. Wolfgang is their fourth album release, which was some surprise to me, an American fan who’s just recently hopped the Phoenix train.
After some hefty google-ing, I discovered quite an impressive history.
It’s crazy to think these guys started out over a decade ago in suburbs on Versailles. Before the name Phoenix was even established, they were more ambiguously known as those dudes playing in that remix of ‘Kelly Watch the Stars’ by Air. Things got serious when guitarist Laurent Brancowitz committed to Phoenix by officially leaving Darlin’, an unsuccessful starter band with Thomas Bangalter and Guy-Manuel de Homem-Christo (no worries, the two soon became Daft Punk).
Artists love It’s Blitz!. They just want to get their hands around it, their fingers in it.
Yeah Yeah Yeahs have succeeded in making even the alternative unorthodox with this latest album release. And track by track, the remixes pour out. Ears first perked with Animal Collective’s take on ‘Zero,’ a dark horse remixer if that race ever existed. Intriguing, worth the listen, but nothing to write home about.
